The pen is my voice.
The wish of my heart.
The noise of my mind.
The whispers of my soul.
The talk of my eyes.
Author: Monica Gupta
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The pen is my voice
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AAH! THE SIGHT OF ME.
AAH! THE SIGHT OF ME.
There’s a version of me,
That i now see in her.
Varied shades and facets,
That lay invisible to me.
Until, she bore them.
Wore them.
And now stands before me. -

DIWALI – HOME COMING.
As a postlude to my write-up titled, “Wars and Festivals” that spoke of historical, mythological and individual battles, here is “Home Coming”.
We all know Diwali is the celebration of Lord Ram’s return to Ayodhya. After 14 years long tryst with resolving social issues of the day, facing the harsh forest life, taking back the empire that was deceitfully usurped within the family and waging a war with an Asur King to rescue his wife, he returned to his land triumphant, with newly developed skills, followers, learnings and stories to share. His journey stretched from North to South, and on his way, he touched the hearts of many. Grand décors, sumptuous feasts and open arms with glistened eyes welcomed him. Ayodhya was adorned with diyas to welcome its awaited and deserving king. The stories of his valour and victory spread far and wide as his coronation announced the dawn of Ram Rajya. The foundation of a new kind of leadership was laid – by a leader who ruled by being an example and who first practised and then preached.
Just like his challenging years in exile when he fought the mighty Lankesh (Ravana), almost losing his wife and beloved younger brother to death, the throne of a king offered challenges of a different kind. During his exile he had won an external battle before returning to his land, marking the celebration of Diwali. Now while he sat on the throne of Ayodhya as the Suryavanshi King of Aaryavrat, he faced an internal civil war. A war, where his praja raised fingers at his wife’s chastity. A war where no weapons could be helpful because the enemy was his own people.
It wasn’t a battle for power or rule. It was a battle of truths, of ideologies. It was an inner battle between Ram and Ram, between Ram who was a husband and Ram who was a King. The trials of the Agni Prariksha and an assurance from the king went futile to convince the praja of Sita’s pious body. Ram reached the verge where he had to choose one side. To be a just husband or to be an ideal King. Unlike the battle fought on the ground, this was the tug of war he experienced within. His Kshatriya blood didn’t offer any respite. The only way to resolve this war was to choose. To choose one. Either be a husband or be a king. Sita’s uninformed boycott and abandonment into a forest announced his decision to be. He chose Ram Rajya over Sitapati Ram. He succeeded in resurrecting Ahilya but failed to stand beside Sita. For, the Rajya was at stake. The husband died, and the king lived.
When the war is internal like this one, and the victory is declared, how does one celebrate? Does one feel joyous or mourn? For either way, it’s one’s loss. After bleeding from the arrows of regrets, helplessness and doubts, when one accepts his choice, he reaches home. After the painful suffering of losing, knowing one’s personality flaws and bearing the scars that the decision left, one begins to travel through the feelings of returning home. When complete acceptance sets in, healing begins, and this marks the celebration as Home-Coming; a celebration of profound peace within. The inside finally lits-up, calm sets in, and Diwali is announced as ‘Home Coming’.
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BOOK REVIEW OF ‘PRICELESS PEARLS’ BY AUTHOR MONICA GUPTA.
“How do you define a mother, I wonder? By the number of kicks you’ve given her in her womb and every time she smiled, or by the number of bites on her swollen nipples yet she happily fed you and never cried.” (Excerpt from book)
“Priceless Pearls” by veteran writer, Gitanjali Kapoor, popular by the pen name, ‘Laughing_Soul’ is a poetry book with a theme of love for a mother. Through 21 literary pieces, the poetess paints the facades of love she feels for her mother. Her poignant writing style adds to the empathy and relatability. Various poetry forms like versus, unmetered poems to Haiku poetry makes it a learner’s delight. In some of the poems like “The Golden Sunset”, the prim use of simile and metaphors brings forth Geetanjali’s outstanding skill to blend vividity with inner emotions. Besides the theme of love for mother, the book shares subtle hues of the writer’s journey along with the challenges and conflicts every woman undergoes in life. The poetries beautifully depict the vulnerable yet strong, ordinary yet exceptional sides of a mother. Although the book is a dedication of the poetess to her mother, it offers a universal appeal. My personal favourite is the poem, “My Treasure Trove”, as the lines, “My poems are nothing but messages from above” resonates with my writer’s heart. Besides the soulful poems, some impactful verses inspire and offer much to ponder upon.
All in all, Gitanjali, the inventor of the poetry form, “Mirror Alphoppbet” after 3 phenomenal books, yet again adds a masterpiece, “Priceless Pearls” in the showcase of the literary world.
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BOOK REVIEW OF “A THOUSAND SPLENDID SUNS” BY AUTHOR MONICA GUPTA.
“A thousand splendid suns” by Khaled Hosseini, is a heart-rending tale of two women set in Afghanistan in the 1960s, when the country was at a war between the Soviet Communist and the Taliban.
“One could not count the moons that shimmer on her roofs, or the thousand splendid suns that hide behind her walls.” The plot pivots around stories of two women, how their lives merge not by choice but for survival. Their relationship ignites with flares of jealousy and a tug of war for power over the household and husband. But when the two realize that they share the same enemy and are battling the horrendous consequences of the war, they lower their guards and bond into a love that transforms them into courageous women.
The book is divided into two parts. The first part revolves around Mariam, an illegitimate child of a popular, affluent businessman in Herat. She faces ruthless prejudices and blames not just from the big legitimate family of her father but her mother as well. “You are a clumsy little harami. This is my reward for everything I have endured. An heirloom-breaking, clumsy little harami.” Miriam is raised with a belief that she is a mistake. Her identity is carved with the repetition of such words. The second half revolves around Laila’s story. A good looking, intelligent daughter of progressive parents. There is a strake contrast in both the characters, not just in terms of their age but in terms of outlook and upbringing. Laila is portrayed as the woman Afghanistan needs. An educated, free-willed girl with a mind of her own. Her pre-marital sex with the love of her life, going to school, not wearing a burqa, are all reflective of it. The tragic death of Laila’s family in a bomb blast lands her in Miriam’s life. Although Miriam is the age of Laila’s mother, they become the wives of the same man. The latter half of the book offers some hope to the reader when love fumigates between the protagonists. The book begins to turn towards the brighter side.
The intricate description of the landscaping of Afghanistan, their food, aromas, homes, clothing and rituals give a feeling of a tour around the place. I found the book outstanding, in Khaled Hosseini’s ability to unveil the vulnerabilities of the characters clad in a burqa and how a bond of love lead to their metamorphosis. The language is lucid and the gripping narrative makes the book a page-turner. The graphic description of the war, depiction of bloodshed, oppression, suppression, brutality, starvation, loss and trauma leave the reader’s heart injured and their vivid depiction makes the eyes sore. All in all, this classic literary masterpiece by Khaled Hosseini leaves behind a bittersweet taste.




